2024 Venice: Kurosawa Kiyoshi, Fabrice du Welz, Asif Kapadia, Errol Morris & Harmony Korine Out of Comp

Date:

While we might still be on the fence about what is being described as a first-person shooter-type experience in Harmony Korine‘s Baby Invasion, but the Venice Film Festival’s Out of Competition section lineup could be just as daring as the films selected for the competition. We have established filmmakers giving another go at it from Pupi Avati‘s gothic-friendly L’Orto Americano to Claude Lelouch‘s latest feature which caps off a trilogy in Finalement, and then we have a burst of Asian cinema auteurs from Kurosawa Kiyoshi in Cloud to a just over one hour narrative from Takeshi Kitano in Broken Rage to Lav Diaz once again testing our patience with the over four hour journey in Phantosmia. High up on our must see list we find Fabrice Du Welz‘s Maldoror – a two-plus hour descent into evil by way of Anthony Bajon (his muses in Laurent Lucas and Béatrice Dalle are also among the cast). plus we have docu items from the likes of Asif Kapadia (2073), Petra Costa (Apocalypse in the Tropics), Errol Morris (Separated) and Goran Hugo Olsson (Israel Palestine on Swedish TV 1958-1989) that will certainly be buzz docu items flirting with docu programmer enthusiasts at both Telluride and Toronto. Here are the selections plus series, special screenings, Venice Classics:…

Fiction
Beetlejuice Beetlejuice, dir: Tim Burton (Opening film)
L’Orto Americano, dir: Pupi Avati (Closing film)
Il Tempo che ci Vuole, dir: Francesca Comencini
Phantosmia, dir: Lav Diaz
Maldoror, dir: Fabrice du Welz
Broken Rage, Takeshi Kitano
Baby Invasion, dir: Harmony Korine
Cloud, dir: Kurosawa Kiyoshi
Finalement, dir: Claude Lelouch
Wolfs, dir: Jon Watts
Se Posso Permettermi Capitolo II, dir: Marco Bellocchio (short)
Allégorie Citadine, dirs: Alice Rohrwacher, JR (short)

Baby Invasion Poster Harmony Korine

Non-Fiction
Why War, dir: Amos Gitai
2073, dir: Asif Kapadia
Bestiari, Erbari, Lapidari, dirs: Massimo D’Anolfi, Martina Perenti
Apocalypse in the Tropics, dir: Petra Costa
One to One: John & Yoko, dir: Kevin Macdonald, Sam Rice-Edwards
Separated, dir: Errol Morris
Israel Palestine on Swedish TV 1958-1989, dir: Goran Hugo Olsson
Russians at War, dir: Anastasia Trofimova
TWST/Things We Said Today, dir: Andrei Ujica
Songs of Slow Burning Earth, dir: Olha Zhurba
Riefenstahl, dir: Andres Veiel

VENICE CLASSICS – Documentaries About Cinema
Miyazaki, L’Esprit de la Nature
I will Revenge this World with Love S Paradjanov
Le Cinéma de Jean-Pierre Léaud
From Darkness to Light
Carlo Mazzacurati – Una Certa Idea di Cinema
Chain Reactions
Maroun Returns to Beirut
Volonté – L’Uomo dai Mille Volti
Constelacion Portabella

Special Screenings
Leopardi. Il Poeta Dell’Infinito, dir: Sergio Rubini
Master and Commander: The Far Side of the World, dir: Peter Weir
Beauty is not a Sin, dir: Nicolas Winding Refn

Series
Disclaimer, dir: Alfonso Cuaron
The New Years, dirs: Rodrigo Sorogoyen del Amo, Sandra Romero
Families Like Ours, dir: Thomas Vinterberg
M – Il Figlio del Secolo, dir: Joe Wright

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

Exclusive Clip: Comfort with Comfort Food in Constance Tsang’s “Blue Sun Palace”

Winner of the French Touch Prize in the Critics'...

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...