Tag: Adele Romanski

The Night We Met I Knew: Barry Jenkins Tapped to Direct ‘Be My Baby’

Filmmaker Barry Jenkins is music to A24's ears. They had a fun courtship with the entire Best Picture winning run for Moonlight, they landed...

2025 Sundance: Hailey Gates, Katarina Zhu & Eva Victor in U.S. Dramatic Comp

Among the batch of ten 2025 U.S. Dramatic Competition offerings we find the likes of actress Hailey Gates' feature debut Atropia - produced by...

Minding the Crap: Bing Liu Preps Fiction Debut “Preparation for the Next Life”

He has been testing the waters for some time now in terms of fiction (with Chinks in active development) but Minding the Gap docu-helmer...

Interview: Charlotte Wells – Aftersun

This year's "buzz" title at the Cannes Film Festival was tucked away in the Critics' Week section and everywhere Charlotte Wells' debut feature has...

2022 Sundance Film Festival Predictions: Raven Jackson’s All Dirt Roads Taste Of Salt

While this definitely feels like a bonafide Sundance film, of all the predictions you'll find here we have no idea how far into the...

Never Rarely Sometimes Always | Review

The Story of Women: Hittman Hits Home Run with Stellar, Topical Abortion Drama How often have you seen an abortion drama, in any language, which...

2020 Sundance Film Festival: Janicza Bravo’s Zola, Josephine Decker’s Shirley & Eliza Hittman’s Never Rarely Sometimes Always in U.S. Dramatic Comp

Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...

Under the Silver Lake | Review

Under the Sun of Satan: Mitchell’s Messy Neo Noir Revels in Elitist Superficiality Look no further than David Robert Mitchell’s third feature, the labored neo...

Autumn in New York: Hittman’s Never Rarely Sometimes Always Includes Théodore Pellerin & Sharon Van Etten

True to her previous pair of films and casting process, Eliza Hittman has once again unearthed first time acting talents for her third feature, Never...

If Beale Street Could Talk | Review

I Can Feel the Beale: Jenkins Does Justice to Classic Baldwin Novel Following his history making Best Picture winner Moonlight, stakes are set high for...

2018 Sundance Film Festival Predictions: David Robert Mitchell’s Under the Silver Lake

We often talk about the all important sophomore film, but the third often yields better results. As might be the case for David Robert...

Harlem Shuffled: Barry Jenkins isn’t Blind to “If Beale Street Could Talk”

Arguably 2016 was Barry Jenkins' big coming out party and curiously sharing a place together along with Moonlight on several top ten lists was...

What’s Your Sign?: Aaron Katz Lands Lola Kirke, Zoe Kravitz & John Cho for “Gemini”

Fitting that the film title for this thriller is being filmed in it's birthday month, the sign that is represented by the twins Castor...

2016 Sundance Film Festival Predictions: Chad Hartigan’s Morris from America

His sophomore film received a ton of fanfare after premiering at Sundance's NEXT section (and the first edition of the NEXT Weekend event) back...

Medicine for Miami: A24 & Plan B Take “Moonlight” Swim with Barry Jenkins

Announced late last night, we've got an encouraging piece of indie feature backing news for Barry Jenkins and his long awaited sophomore project. Deadline...

2012 SXSW: Leave Me Like You Found Me | Review

Californian Flip-Flopping: Romanski Examines the Rekindling of a Past Connection In producer Adele Romanski’s directorial debut, Erin and Cal (Megan Boone and David Nordstrom) rekindle...

SXSW Interview: Adele Romanski (Leave Me Like You Found Me)

Starting off as an editor, Adele Romanski went on to produce a number of well-received indies, among them The Myth of the American Sleepover,...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...