De Winter of Our Discontent: Wheatley Wavers with Empty Remake of Du Maurier Classic
Remaking a property which was previously adapted by none other than...
Rebecca
A decade into feature filmmaking and Ben Wheatley has taken it upon himself to remake Alfred Hitchcock’s 1940 classic Rebecca, which won the Best...
Unbridled Creativity: No one is Safe from Riley’s Wackadoo Satire ... Himself Included
There is nothing subtle in Boots Riley's Sorry To Bother You. A singular,...
Writer/Director Boots Riley is no stranger to pushing boundaries. A longtime political activist-rapper, he has already made his bones in music, founding the renowned...
Among the cast of misfit supporting characters in Boots Riley's Sorry to Bother You we find Omari Hardwick's take on true corporate ladder machiavellianism...
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
It's the head-scratching nominations process where Greta Gerwig's Lady Bird is good enough for the Best Feature category and picks up four nominations in...
His Summer of Love: Guadagnino Returns with Perceptive, Tender Sketch of First Love
Presented with an intoxicating combination of old fashioned reticence with bold and...
Call Me by Your Name
Director: Luca Guadagnino
Writer: Luca Guadagnino, James Ivory, Walter Fasano
A surprise announcement came when Luca Guadagnino was in the middle of...
Gunfight at Boston, MA: Wheatley’s Portrait of a Vicious Shootout
Massachusetts, 1970s. More precisely, the docks of Boston, where plans for a weapons trade at...
Born Again: Parker Resuscitates Turner Narrative in Painful Labor of Love
An odd, continued legacy of unquestioned applause greets the reception of actor Nate Parker’s...
Free Fire
Director: Ben Wheatley
Writers: Ben Wheatley, Amy Jump
British director Ben Wheatley returns with his sixth feature, Free Fire, after amassing a wildly popular following...
Say Uncle: Ritchie Continues String of Studio Pastiche
In a continuation of our culture’s insistence on plumbing the depths of past artifacts from the annals...