Tag: Caroline Kaplan

Marcel the Shell with Shoes On | Review

Clam Happy: Fleischer-Camp Fleshes Out His Amusing/Absurd Sketch of a Precocious Mollusk On paper, the inevitability of something like Marcel the Shell with Shoes On...

After Yang | Review

Before and After Yang: More Human than Humans Kogonada’s After Yang opens with the most exhilarating dance sequence since Gaspar Noé’s Climax—but don’t be misled....

2022 Sundance Film Festival Predictions: Kogonada’s After Yang

Having had its world premiere in the Un Certain Regard section at this year's Cannes Film Festival, Kogonada's After Yang (starring Haley Lu Richardson,...

2021 Sundance Film Festival Predictions: Kogonada’s After Yang

Perhaps some of the futuristic elements in Kogonada's sophomore feature are the reason why it didn't join A24's Zola and Minari at last year's...

Interview: Boots Riley – Sorry to Bother You

Writer/Director Boots Riley is no stranger to pushing boundaries. A longtime political activist-rapper, he has already made his bones in music, founding the renowned...

Interview: Omari Hardwick – Sorry to Bother You

Among the cast of misfit supporting characters in Boots Riley's Sorry to Bother You we find Omari Hardwick's take on true corporate ladder machiavellianism...

Boots Riley’s Sorry to Bother You | 2018 Sundance Film Festival World Premiere

Perhaps the most hyped film to premiere at this year's Sundance film festival, the over-sold world preem screening at the Library had plenty of...

2018 Sundance Film Festival Predictions: Boots Riley’s Sorry to Bother You

Coming from the world of hip hop, you'd expect Boots Riley to be somewhat of a novice with film in general but a not...

2017 Sundance Film Festival Predictions: Jim McKay’s On the Seventh Day

Perhaps the indie film career path anomaly on our complete predictions list, Jim McKay found relative success at Sundance using the festival as a platform...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...