Tag: Dan Stevens

2024 Sundance Film Festival Predictions: Tilman Singer’s Cuckoo

Kind of feel that Tilman Singer's sophomore feature has been dangling like a carrot in front of us since they teased the first film...

Top 200 Most Anticipated Foreign Films of 2023: #156. Tilman Singer’s Cuckoo

Cuckoo German filmmaker grabbed the spotlight with his Berlinale preemed directorial debut Luz (tale is about a cab driver who gets owned by a demonic...

I’m Your Man | 2021 Berlin International Film Festival Review

The Girl and the Robot: Schrader Wows with Exceptional Exploration of Love, or Something Like It Harlan Ellison memorably titled a collection of short stories,...

The Rental | Review

This Property is Condemned: Franco Mines Interesting Ideas in Faulty Debut Egregiously annoying characters can be either a blessing or a curse to a...

Lucy in the Sky | Review

Loosey Goosey: Hawley Gets Histrionic with Uneven Melodrama At the end of Now, Voyager (1942) the chain-smoking Bette Davis delivers her iconic line to Paul...

Top 100 Most Anticipated American Indie Films of 2018: #66. Gareth Evans’ Apostle

Apostle Making a name for himself with high-octane contributions in the shape of The Raid: Redemption, V/H/S/2 and The Raid 2 (with The Raid 3...

Norman: The Moderate Rise and Tragic Fall of a New York Fixer | DVD Review

Already one of the most obscured gems of 2017, Joseph Cedar’s impressive English debut Norman: The Moderate Rise and Tragic Fall of a New...

Norman: The Moderate Rise and Tragic Fall of a New York Fixer

Fixer Downer: Cedar Unleashes Fascinating Portrait of Aggravating Underdog There’s an unshakeable sadness to Israeli director Joseph Cedar’s English language debut Norman: The Moderate Rise...

The Ticket | Review

To Gain the World: Fluk’s Allegorical Fairy Tale Treads Perfunctory Territory Pope Francis described materialism as ‘spiritual cancer’ in that the idolatry of earthly possessions...

Colossal | Review

Seoul of the Matter: Vigalondo’s Environmental Impact Creature Feature Unique but Wonky Spanish director Nacho Vigalondo scores major points for ambition and uniqueness in his...

Beauty and the Beast | Review

The Beast Must Die: Condon’s Expensive Rehash is Fairy Tale Facsimile For a film with a budget of three hundred million claiming to be the...

2017 Sundance Film Festival Predictions: Brian Crano’s Permission

With 2011's A Bag of Hammers and his 2014's short "Dog Food" both preeming at Austin, you can bet that the SXSW programmers have Brian...

Top 100 Most Anticipated Foreign Films of 2016: #57. Nacho Vigalondo’s Colossal

Colossal Director: Nacho Vigalondo Writer: Nacho Vigalondo We’ve been a bit underwhelmed with Spanish director Nacho Vigalondo’s two follow-ups to his fun 2007 debut Timecrimes, those being...

2016 Sundance Film Festival Predictions: Ido Fluk’s The Ticket

We got no qualms with being flat out wrong with our predictions set, but we're thinking we might sort of still be in the...

Criminal Activities | Review

Subliminal Criminal: Haley’s Debut Feloniously Familiar There’s a certain amount of smarmy appeal to justify Jackie Earle Haley’s attraction to taking on Criminal Activities, the...

The Cobbler | Review

Shoe Be Doo: McCarthy’s Magical Realism Has No Sole Actor Thomas McCarthy has developed a solid reputation as an indie film director thanks to his...

The Guest | Blu-ray Review

Enjoying a healthy festival run after its premiere at the 2014 Sundance Film Festival, and a tour that brought it to SXSW and Toronto,...

2015 Sundance Film Festival Predictions: Ido Fluk’s The Ticket

With a small body of work including his low-budgeted directorial debut (Never Too Late) which orbited around the Fribourg and Edinburgh Film Festivals and garnered some...

The Guest | Review

Lone Survivor: Wingard’s Latest a Near Perfect Mix of Subtext, Comedy and Satisfying Thrills After contributing to several anthology films, including the V/H/S films and...

Top 200 Most Anticipated Films for 2014: #136. Adam Wingard’s The Guest

The Guest Director: Adam Wingard Writer: Simon Barrett Producers: Snoot Entertainment’s Keith Calder and Jessica Wu U.S. Distributor: Rights Available Cast: Dan Stevens, Joel David Moore, Lance Reddick After segments...

Summer in February | Review

Summer Bummer: Menaul’s Love Triangle Inspires Opposite Emotions Not every “based on a true story” is actually fit for a feature length film. In fact,...

Tommy Wirkola (Dead Snow: Red vs. Dead) & Adam Wingard (The Guest) Make Return to Park City at Midnight Section

I had a hunch that Cooties (read here) and Adam Wingard's The Guest (read here) might make it into what appears to be a...

2014 Sundance Film Festival Predictions: Adam Wingard’s The Guest

Sundance's Trevor Groth has a special place in his cinephile heart for Adam Wingard's filmic output - allowing the filmmaker to present the V/H/S...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...