Tag: Debra Granik

2018 Cannes: Ciro Guerra, Gaspar Noé, Romain Gavras, Jaime Rosales & Debra Granik Fill Directors’ Fortnight

Heavy on Spanish language films (including a Brazilian film not in its mother tongue) and the usual block of French film items, after seven years...

2018 Sundance Film Festival: Panos Cosmatos’ “Mandy” Leads Nicholas Bell’s Top 10

While Sundance 2018 has already been deemed a non-event in the realm of acquisitions, it’s a trend perhaps better explained by an industry in...

Sundance 2018: Madeline’s Madeline Helena Howard Leads our Top 10 New Faces

Last week we looked at the impressive class of new voices who made a noticeable mark at Sundance '18, and now we go in...

Top 100 Most Anticipated American Indie Films of 2018: #18. Debra Granik’s Leave No Trace

Leave No Trace Only her third feature fiction film following Down to the Bone (2004) and Winter’s Bone (2010), it always feels like a true cinematic event...

Sundance 2018: The Year of Youth in Revolt

There’s an old adage in filmmaking that goes something like: ‘never work with kids or animals.’ This year’s Sundance Film Festival is a direct...

Sundance ’18: Wash Westmoreland, Debra Granik, Gus Van Sant & Zellner Bros. In Premieres Section

Despite not expecting the Premieres sections to be drop today, several of the narrative items below were on our radar and make for what...

2018 Sundance Film Festival Predictions: Debra Granik’s My Abandonment

We likened her to Kelly Reichardt with a cinema that should sprout internationally and so we were genuinely surprised when she didn't drop into...

The Conversation: Venice 2017 – Those Who Were Not Named

With Locarno and Venice’s recently announced competition line-ups, the last stand as far as 2017 festival circuit competition now sits with the soon to...

The Conversation: The 2017 Venice & TIFF Vortex

As the fall festival circuit looms, anticipation is high for a number of items expected to premiere in the fourth quarter. Following a glut...

Stray Dog | Review

Still Learning New Tricks: Hall Heals Via Empathy & Remembrance Much less cinematically invigorating than Akira Kurosawa's noir of the same name and miles away from Tsai...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...