Tag: Documentary Film Review

Timestamp | 2025 Berlin Intl. Film Festival Review

Schools of Survival: Gornostai Probes the Resiliency of Ukraine’s Education System During Wartime Despite reflecting the distressing normalization of wartime on an entire generation of...

Youth (Homecoming) | Review

Last Train to Zhili: Bing Brings Youth Cycle to Circular Close Wang Bing completes his ‘Youth’ trilogy with finale Youth (Homecoming), which features the most...

Youth (Hard Times) | Review

Make the Best of Us: Bing’s ‘Youth’ Cycle Expands Into the Gloom The middle part of Wang Bing’s Youth trilogy, Youth (Hard Times) perhaps more...

Dahomey | Review

Plunder Years: Diop Reflects on the Complex Realities of Reparation The spirit of Ozymandias, the classic poem from Percy Bysshe Shelley, might rouse itself in...

Homegrown | 2024 Venice Film Festival Review

Been Caught Stealing: Premo Watches the Pendulum Swing Right Utilizing the January 6 United States Capitol attack as the docu’s rousing finale, Homegrown delves deep...

The Invasion | 2024 Cannes Film Festival Review

Life During Wartime: Loznitsa’s Gaze Blankets Ukraine Director Sergei Loznitsa continues as the ultimate contemporary chronicler of Ukraine’s past and present, his latest, the aptly...

Une Famille | 2024 Berlin Intl. Film Festival Review

A Letter to Daddy: Angot Continues Confrontation of Incest In short, there is no way to rate a film like Une Famille, the debut documentary...

Architecton | 2024 Berlin Intl. Film Festival Review

Judgment in Stone: Kossakovsky Gazes Into the Concrete Jungle Celebrated documentarian Viktor Kossakovsky explores our complex relationship with concrete in the abstract visual feast, Architecton....

Youth (Spring) | Review

The Workshop Around the Corner: Bing Threads Through Textile Manufacturing Having filmed from 2014 to 2019 in the city of Zhili, Youth (Spring), one...

Four Daughters (Les filles d’Olfa) | Review

Leave Them to Heaven: Ben Hania Experiments with Form in Anguishing Roleplay For her sixth feature, Four Daughters, Tunisian director Kaouther Ben Hania takes a...

Lynch/Oz | Review

Follow the Celluloid Road: Philippe Explores the Magnificent Ozsessions of David Lynch The next best thing to a new David Lynch project has to be...

Par Coeurs | Review

A Matter of Method: Jacquot Surveys the Techniques of Two French Titans in Conversational Doc “I’m all at sea,” moans Isabelle Huppert at the onset...

The Super 8 Years | Review

Parting Glances: Ernaux Ponders the Past with Intimate Documentary Debut Although a prominent novelist in France over the past several decades, writer Annie Ernaux has...

All the Beauty and the Bloodshed | Review

The Nan Movie: Poitras Presents Ravages of the Opioid Crisis Through Portrait of an Artist Academy Award winning documentarian Laura Poitras’ latest documentary All the...

Casa Susanna | 2022 Venice Film Festival Review

The Enchanted Cottage: Lifshitz Salvages a Segment of Transgender History Although he began his directorial career in the vein of free-spirited indie narratives navigating the...

Mr. Bachmann and His Class | Review

Teacher Feature: Speth Captures the Complex Alchemy of Education and Empathy in Moving Documentary What do you remember most about your experience as a student,...

Flee | Review

Flee a Mile in your Neighbor’s Shoes: Ramussen’s Refugee Doc Is A Journey Worth Taking Evocative animation, first-person pain and a strong dose of hope...

Try Harder! | Review

A Dream Deferred: Debbie Lum’s Masterclass in Self-Esteem Try Harder! is a supremely moving documentary about high schoolers in the throes of their college application...

The Herd | 2021 Warsaw International Film Festival Review

There's No I in Team: Kotecka and Poryzala's Vaulting Doc is High on Girl Power Things that amaze us, and quite often scare us, have...

Trenches | 2021 Venice Film Festival Review

Gone to Graveyards: Bureau Mines the Surreal Tragedy of Ongoing Ukrainian Conflict Ukrainian auteur Sergei Loznitsa has, heretofore, presented the most comprehensive cinematic examinations of...

Returning to Reims (Fragments) | 2021 Cannes Film Festival Review

Blue is the Warmest Collar: Periot’s Projects a Sublime Visualization of Potent Memoir For his third feature length documentary, Jean-Gabriel Périot tackles the celebrated 2009...

All These Sons | 2021 Tribeca Film Festival Review

Swerve & Protect: Liu/Altman Display Resilience at the Core Bing Liu and Joshua Altman’s All These Sons is a rousing, hauntingly powerful tableau about the...

The Kids | 2021 Tribeca Film Festival Review

The Kids Aren’t All Right: Martin Offers a Case Study on Exploitation from 90s Cult Film It’s mind boggling to look back on the not-too-distant...

Gunda | Review

That’ll Do, Pig: Animal Farm IRL Viktor Kossakovsky brings us an astonishing triptych of pigs, cows and chickens in Gunda, his poignant evocation of life...

The Most Beautiful Boy in the World | 2021 Sundance Film Festival Review

Bjorn Again: Lindstrom & Petri Examine the Plight of the Beautiful and the Damned For those unfamiliar with the name Bjorn Andresen, the documentary The...

Notturno | Review

Darkest Nocturne Before the Dawn: Rosi’s Vision of War-Torn Lives Filmed on the borders of Iraq, Lebanon, Syria and Kurdistan over the past three years,...

76 Days | Review

76 Days Later: From the Frontlines of Wuhan As one of the earliest documentaries to cover the Covid-19 epidemic in Wuhan, China, Hao Wu’s 76...

Collective | Review

The Fire Next Time: Nanau Finds Homegrown Corruption in Scandalous Expose The importance of actual investigation journalism is presented in all its full-blown glory with...

Going for Gold | 2020 Warsaw International Film Festival Review

From Hero to Traitor: Szczepanik Focuses on Gestures that Alter History Going For Gold is the fourth docu item by Polish director Ksawery Szczepanik. His...

Time | Review

Lost in Time: One Family’s Decades-Long Battle Against Injustice How do you measure lost time? At once elegiac and lyrical, Garrett Bradley’s documentary Time explores...

American Murder: The Family Next Door | Review

Marriage Story: Popplewell Explores Watts Family Tragedy If Tolstoy asserted through his opening statements in Anna Karenina an adage of all happy families being the...

Space Dogs | Review

Every Dog Will Have Her Day: Kremser & Peter Create a Canine Ghost Story in Moody Doc One mustn’t love dogs, per se, to enjoy...

You Don’t Nomi | Review

Eyes Without Versace: McHale Explores the Cult of Camp with Doc Debut What constitutes camp and how it can be created has long been an...

Natalie Wood: What Remains Behind | Review

This Property is Condemned: Bouzereau Recuperates an Icon with Familial Portrait Her death by drowning at the age of forty-three while vacationing on Catalina Island...

Never Happened | 2019 Warsaw International Film Festival Review

Rewriting History: Bereznakova Presents Fresh View on Two Decade Poli-Scandal After working short documentaries, experimental and television film formats, Slovak director and video artist Barbora...

The Proposal | Review

Bargaining for Barragan: Artist Jill Magid Offers Mystery-Thriller-Docu Jill Magid is the director, subject, narrator, but above all else, she is a provocateur of a...

Hail Satan? | Review

The Politics of Evil: Lane makes Satanists of Us All with Amusing, Thought-Provoking Doc Docu filmmaker Penny Lane explores the contradictions of society, religion and politics...

I Am Mother | 2019 Sundance Film Festival Review

They Call Me Mother: Sputore Examines What It Means to Be Human in Sci-Fi Debut Australia’s Grant Sputore makes an impressive directorial debut with the...

The Magic Life of V | 2019 Sundance Film Festival Review

V for Vanquish: Hristov Showcases Role-Playing as Trauma Therapy in Intimate Doc For his seventh documentary feature, Finland’s Tonislav Hristov returns to his home country...

Bathtubs Over Broadway | Review

One Man’s Quest to Spotlight the Unsung Stars of Industrial Musicals Comedy writer Steve Young’s fascination with a peculiar oddity takes him on a personally...

Distant Constellation | Review

Time Is Not On Our Side: Mizrahi Mesmerizes And Bemuses With Meditative Doc The nature of time is undoubtedly one of the most abstruse themes...

Putting Lipstick on a Pig | 2018 Warsaw International Film Festival Review

Show Me The Money: Karrento Investigates the Hidden Side of Online Gambling While the Nordic way of life is famous and possibly admired worldwide, some...

The Price of Everything | Review

The Difference Between Price And Value: Kahn Seeks Answers To Unanswerable Questions The modern art world has been inexorably bound to the whims of collectors...

On Her Shoulders | Review

Carry That Weight: Bombach Bares The Whole Yazidi Soul Through Murad’s Personal Hell The copious trove of data involving the millions afflicted by the crimes...

Dark Money | Review

Follow The Money: Reed’s Financial Exposé Is Highly Significant Yet Somewhat Clumsy The rise of unregulated campaign finance in American elections coinciding with the collapse...

Hal | Review

My Friend Hal: Scott Redefines the Showbiz Doc With Show-Stopping Debut Feature Hal Ashby was one of the finest cinematic craftsmen who ever lived, with...

John McEnroe: In the Realm of Perfection | Review

It’s Your Serve: Faraut Extends the Cut With McEnroe Metacinematic Retrospective John McEnroe has been considered (and possibly always will be) one of the greatest...

Minding the Gap | Review

Skating on Thin Ice: Bing Liu’s Powerful, Autobiographical Domestic Abuse Doc Bing Liu’s documentary Minding The Gap contains more entertainment—and more authenticity—than most narrative features...

The King | Review

Who Anoints The King? Jarecki Demystifies Elvis And The American Dream It isn’t common to see the likes of Chuck D, Ethan Hawke, James Carville,...

Westwood: Punk, Icon, Activist | Review

Pants And Punk: Tucker Stitches A Unique Though Patchy Portrait Of Fashion Icon The core concept of punk, and its origins, have been the cause...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...