Tag: Filipino Cinema

World Cinema Report: The Philippines – Most Anticipated for 2023

In 2022, the Philippines was on quite a roll on the international cinematic arena with local films gaining critical acclaim and Filipino talents getting...

Interview: Erik Matti – On the Job: The Missing 8

In anticipation for the upcoming 95th Academy Awards, I chatted with Erik Matti, whose film On the Job: This Missing 8 is the Philippines’...

When the Waves Are Gone | 2022 Venice Film Festival Review

When Fair is Foul: Diaz Attempts Neo-Noir in Interminable Derivatives In the twenty plus features Filipino auteur Lav Diaz has premiered over the past two...

Genus, Pan | Review

Three Amigos: Diaz Explores Featherless Bipeds in Latest Leisurely Expose on Baseness Running time is always a point of contention when it comes the cinema...

Top 150 Most Anticipated Foreign Films of 2020: #52. When the Waves Are Gone – Lav Diaz

When the Waves Are Gone Without taking a breath, Filipino auteur Lav Diaz should likely have latest feature When the Waves Are Gone ready for...

Interview: Lav Diaz – Season of the Devil (Ang Panahon ng Halimaw)

Economically shot by this auteur's standards (half the length of 2016's A Lullaby to the Sorrowful Mystery), Lav Diaz's just under four opus cleverly...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...