Tag: Kelvin Harrison Jr.

2024 Sundance Film Festival Predictions: Geremy Jasper’s O’Dessa

Sold for a whopping 10 million to Fox Searchlight at Sundance back in '17, Patti Cake$ became a major calling card for Geremy Jasper...

Monster [Video Review]

Fait Accompli: Mandler Mines the Gray Zone of Truth and Consequences While more of an interesting conversation piece than the accomplished melodrama it deserves to...

Interview: Jeffrey Wright & A$AP Rocky – Anthony Mandler’s Monster

Acting mainstay Jeffrey Wright jumps between mainstream and indie productions like it’s his job. In fact, it is: Wright’s résumé includes Broadway (Angels in...

Interview: Kelvin Harrison Jr. – Anthony Mandler’s Monster

Kelvin Harrison Jr. first came to Sundance with Birth of a Nation in 2016, then Oscar-nominated Mudbound in 2017. This past year, he was...

Interview: Producers Tonya Lewis Lee, Nikki Silver, Mike Jackson, Daniel Crown & Yoni Liebling – Anthony Mandler’s Monster

Sundance ’18 crowd-favorite Monster tells the agonizing tale of a 17-year-old honors student in a racially-charged legal battle. Adapted from Walter Dean Meyers’ award-winning...

The Trial of the Chicago 7 | Review

Kangaroo Court: Sorkin Mounts a Famous Political Trial in Sophomore Feature A project finally brought to fruition after bouncing around in developmental hell for over...

The High Note | Review

Do You Know Where You’re Going To?: Ganatra Gets Off-key with Recycled Formula Same shit, different day could have been a potential tagline for The...

Interview: Alistair Banks Griffin – The Wolf Hour

For his sophomore feature, Alistair Banks Griffin proposes a phobia friendly transgressive and forbidding drama that makes strange bedfellows out of the process of...

The Wolf Hour | Review

Watts the Matter with Naomi?: Griffin Mines Madness in All-Consuming Character Study Director Alistair Banks Griffin revisits one helluva hot summer in the city with...

Alistair Banks Griffin’s The Wolf Hour | 2019 Sundance Film Festival

Once again placing his player(s) through the ringer, Alistair Banks Griffin moves from outdoorsy existentialism and moral quicksand in (2011's Two Gates of Sleep)...

Top 100 Most Anticipated American Independent Films of 2019: #23. Alistair Banks Griffin’s The Wolf Hour

The Wolf Hour The highest ranked Sundance Film Festival selected item on our list belongs to Alistair Banks Griffin and his long awaited second feature...

Top 100 Most Anticipated American Independent Films of 2019: #31. Trey Edward Shults’ Waves

Waves Rapidly transitioning from sophomore film club and into production with his third oeuvre, Trey Edward Shults was the talk of the town with his award...

2019 Sundance Film Festival Predictions: #99. Alistair Banks Griffin – The Wolf Hour

Shooting took place in November of 2017 on Alistair Banks Griffin's sophomore feature and a cast of Naomi Watts, Jennifer Ehle, Kelvin Harrison Jr.,...

2019 Sundance Film Festival Predictions: #95. Trey Edward Shults – Waves

Trey Edward Shults blasted onto the scene with his award winning SXSW, Cannes debut Krisha (2015) which was followed up with It Comes at...

2019 Sundance Film Festival Predictions: #50. Julius Onah – Luce

Part of his "American Lives" output, production on Luce took place in November of 2017 and becomes Julius Onah's third feature following in the footsteps of the...

2019 Sundance Film Festival Predictions: #30. Nabil Elderkin – Gully

An American photographer, turned music video director turned filmmaker who found fortune via a peculiar Kanye West encounter, American-Iranian Nabil Elderkin (who was among...

Top 100 Most Anticipated American Indie Films of 2018: #26. Alistair Banks Griffin’s The Wolf Hour

The Wolf Hour The interminable wait for Alistair Banks Griffin's second feature film is officially over. The Borderline Films' backed Two Gates of Sleep debuted...

Top 100 Most Anticipated American Indie Films of 2018: #64. Justin Kelly’s JT Leroy

JT Leroy In what should be a banner year for filmmaker, Justin Kelly will sprinkle 2018 with a pair of films. Along with Welcome the Stranger (which...

Top 100 Most Anticipated American Indie Films of 2018: #100. Nijla Mu’min’s Jinn

Jinn We begin our countdown with this micro-budget sized feature film debut revolving around identity issues in a acutely complex America. Nijla Mu’min pulls from her...

Tracking Shot: Alistair Banks Griffin, Brady Corbet & Karyn Kusama Shooting in December

“Tracking Shot” is a top of month featurette here at IONCINEMA.com that looks at the projects that are moments away from lensing and as...

Sundance ’18: Morano, Silva, Akhavan & Boots Riley Among U.S. Dramatic Comp Selections

Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...

Pitch Black: Ehle, Harrison Jr. & Emory Cohen Join “The Wolf Hour”

Production on Alistair Banks Griffin's sophomore film began this week, and the supporting cast in the sweltering The Wolf Hour have been identified. Deadline reports...

2018 Sundance Film Festival Predictions: Nijla Mu’min’s Jinn

In a figurative sense, Nijla Mu'min is coming out from the Middle of Nowhere (she was a Production Assistant on Ava DuVernay’s break out Sundance...

Guess Who’s Coming to the Awards Dinner? Jordan Peele’s “Get Out” Leads 2017 Gotham Award Noms

Today's Gotham Awards nominees announcement proves that the film's themselves have their own against all odds narratives. With the five noms for the Best...

It Comes at Night | Review

Night of Your Life: Shults Plumbs Fear and Fear Itself in Arch Sophomore Effort As a pure exercise in the powers of suggestion, It Comes...

2017 Sundance Film Festival Predictions: Trey Edward Shults’ It Comes at Night

While luck and talent go hand in hand, you might want to ask Trey Edward Shults to pick out lottery numbers for all the...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...