The Traveler Has Come: Huppert Shines in Latest Collaboration with Sang-soo
There are few directors who seem to rightly channel the comic side of Isabelle...
The Parent Trap: Sang-soo Takes Sideways Swipe at Social Etiquette
A constant purveyor of how subtle social cues are obliterated by the lowered inhibitions of...
Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes
Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...
Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych
Ending a rare year-long absence from the cinema (an observation of note since he presents two...
Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...
Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up
South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...