Tag: Kwon Haehyo

A Traveler’s Needs | Review

The Traveler Has Come: Huppert Shines in Latest Collaboration with Sang-soo There are few directors who seem to rightly channel the comic side of Isabelle...

What Does that Nature Say to You | 2025 Berlin Intl. Film Festival Review

The Parent Trap: Sang-soo Takes Sideways Swipe at Social Etiquette A constant purveyor of how subtle social cues are obliterated by the lowered inhibitions of...

By the Stream | 2024 Locarno Film Festival Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

The Woman Who Ran | 2020 Berlin Intl. Film Festival Review

Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych Ending a rare year-long absence from the cinema (an observation of note since he presents two...

Sang-soo Goes for Slight(ly) Sober in B&W Mix-up ‘The Day After’ | Blu-ray Review

Prolific South Korean auteur Hong Sang-soo’s twenty-first feature, The Day After, was also his second time competing for the Palme d’Or when it premiered...

The Day After | 2017 Cannes Film Festival Review

Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...