Tag: Micha Lescot

Suspended Time (Hors du Temps) | Review

Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...

The Richest Woman in the World | 2025 Cannes Film Festival Review

The Biggest Camel: Klifa Recruits Huppert to Spoof the Bettencourt Affair Thierry Klifa, who continues to work some of the most notable grand dames of...

Jeanne du Barry | Review

Vanity Affair: Maïwenn Tarries with Madame du Barry For her sixth feature film, Maïwenn tackles her first period piece with Jeanne du Barry, resurrecting a...

Les Amandiers (Forever Young) | 2022 Cannes Film Festival Review

Mixed Nuts: Tedeschi Returns to Acting School in Charming, Vigorous Homage For her fifth narrative feature, the indefatigable Valeria Bruni Tedeschi conjures a nostalgic reunion...

Top 100 Most Anticipated Foreign Films of 2022: #59. Valeria Bruni Tedeschi’s Les Amandiers

Les Amandiers There'll definitely be some autobiographical elements in Valeria Bruni Tedeschi's fifth feature film as a filmmaker and it might be the formative years...

Interview: Michel Hazanavicius – Godard Mon Amour (aka Redoubtable)

Declared sacrilege the moment the project was announced, Michel Hazanavicius focuses on a critical, artistic, existential, and perhaps creative calamity period in both the masses...

Saint Laurent | Review

Once again, Make it the Same Only New With this biopic on the great French fashion icon Yves Saint Laurent, Bertrand Bonello streamlines for himself...

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2025 André Bazin Prize: Louise Hémon’s ‘The Girl in the Snow’ (L’Engloutie) Wins

Selected for this year's Directors' Fortnight, Louise Hémon's The...

Interview: Morad Mostafa – Aisha Can’t Fly Away

Part of a new wave of Egyptian filmmakers testing...

2026 Sundance: Walter Thompson-Hernández, Kogonada & Makoto Nagahisa in the NEXT Section

Walter Thompson-Hernández, Kogonada and Makoto Nagahisa are just some...