Tag: Philipp Engelhorn

Locust | 2024 Cannes Film Festival Review

Code of Silence: KEFF Revisits Time of Turmoil For his directorial debut, KEFF revisits the pinnacle of turmoil during the 2019 Hong Kong protests as...

Marcel the Shell with Shoes On | Review

Clam Happy: Fleischer-Camp Fleshes Out His Amusing/Absurd Sketch of a Precocious Mollusk On paper, the inevitability of something like Marcel the Shell with Shoes On...

After Yang | Review

Before and After Yang: More Human than Humans Kogonada’s After Yang opens with the most exhilarating dance sequence since Gaspar Noé’s Climax—but don’t be misled....

Video: Steve Loveridge’s Matangi / Maya / M.I.A. | 2018 Sundance Film Festival

A docu project shrouded in controversy, and perhaps mystery, several including the singer/songwriter subject of the film (and perhaps even the filmmaker himself Steve...

Video: Jeremiah Zagar’s We the Animals | 2018 Sundance Film Festival

It's a rarity for micro-indie and book adaptations to co-exist, but I guess this is the sort of project that felt right for everyone...

Interview: Boots Riley – Sorry to Bother You

Writer/Director Boots Riley is no stranger to pushing boundaries. A longtime political activist-rapper, he has already made his bones in music, founding the renowned...

Interview: Omari Hardwick – Sorry to Bother You

Among the cast of misfit supporting characters in Boots Riley's Sorry to Bother You we find Omari Hardwick's take on true corporate ladder machiavellianism...

Boots Riley’s Sorry to Bother You | 2018 Sundance Film Festival World Premiere

Perhaps the most hyped film to premiere at this year's Sundance film festival, the over-sold world preem screening at the Library had plenty of...

2018 Sundance Film Festival Predictions: Boots Riley’s Sorry to Bother You

Coming from the world of hip hop, you'd expect Boots Riley to be somewhat of a novice with film in general but a not...

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April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in...

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...