If there’s any film which really conjures an ‘empire state of mind,’ it’s Leo McCarey’s 1939 romantic tearjerker, Love Affair. Strangely, despite an intensely...
Despite having directed several dozen films across a career which ranged from 1930s Germany to late 1950s Hollywood, Douglas Sirk is best remembered for...
When one ponders the filmography of Douglas Sirk, one languishes in his successful meditation on stifled American lives in his 1950s soapy melodramas, the...
“It’s Time to Speak of Unspoken Things,” read the tagline for Joseph Losey’s 1968 psychodrama Secret Ceremony, a bizarro bit of tawdriness about two...
The 1980s were a difficult period for Robert Altman, stumbling into the decade with two high profile projects, HealtH and Popeye, both poorly received....
British director Bryan Forbes is perhaps best remembered for his iconic American horror film The Stepford Wives, which became a genre classic and entered...
One of the few misfires of director Sidney Lumet’s extensive and impressive filmography, his 1992 romantic thriller A Stranger Among Us finds itself recuperated...
Kino Lorber refurbishes two B-side tracks from the filmography of Don Siegel, exemplifying both the highs and lows of his penchant for contemporary crime...
There remains a dearth of unappreciated titles from German émigré Douglas Sirk’s lengthy filmography, which basically includes anything outside of his seminal Hollywood melodramas...
Like nearly all of director Joseph Pevney’s films, 1955’s Foxfire has been more or less forgotten, despite starring Jane Russell. It’s a pity considering...
A highly compromised and ultimately disappointing adaptation of Jane Smiley’s Pulitzer-Prize winning novel A Thousand Acres seems to have been a grueling experience...
The 1984 melodrama Country exists as a minor yet notable footnote in the limited but prolific filmography of Jessica Lange. Her first role following...
In the continued resurrection of several forgotten and neglected titles by John Carpenter (which included recent Blu-ray released of Village of the Damned, Memoirs...
As far as devious killer babies go, Larry Cohen’s seminal It’s Alive trilogy is, alongside Roman Polanski’s Rosemary’s Baby (1969), a cornerstone of the...
Scaring up one-hundred-and-sixty-million for its final worldwide box office take, the fourth installment of the James Wan originated franchise, Insidious: The Last Key was...
This week’s edition of Tuesday Blus includes the following titles:
Henri-Georges Clouzot's Inferno (2009)
Film Review: ★★★½/☆☆☆☆☆
Disc Review: ★★★★/☆☆☆☆☆
After Dante Alighieri but before Dario Argento and...
This week’s edition of Tuesday Blus includes the following titles:
Intermezzo (1939)
Film Review: ★★★/☆☆☆☆☆
Disc Review: ★★★/☆☆☆☆☆
It’s a tale as old as time, more vintage than...
This week’s edition of Tuesday Blus includes the following titles: Dunkirk (2017) - Warner Bros., Detroit (2017) - Twentieth Century Fox, Letter from an...
Belgian film-noir staple Georges Simenon remains a genre stalwart thanks to his enduring status in his native country and France, where his indefatigable detective...
Mid-way through the 1990s, maverick auteur Walter Hill returned to the undiluted Western template mythos (something which underlined nearly all his directorial efforts) with...
Released between a pair of revisionist Westerns (1970’s Little Big Man and 1976’s The Missouri Breaks), Arthur Penn’s 1975 neo-noir Night Moves remains an...
Having conspicuously professed that every film he’s ever done has been a western, genre revivalist auteur Walter Hill’s own observation can perhaps be applied...
American cinematic drivel is becoming more of a tried and true import infecting international theater chains, as evidenced by the latest attempt of Universal’s...
A superb classic begging for a proper recuperation, Michael Curtiz’s 1950 title The Breaking Point finally gets the release it deserves courtesy of the Criterion Collection....