While Baumbach and Payne got conformable shooting in B&W (see Frances Ha, Nebraska), Joe Swanberg convinced swag-collecting thesps Anna Kendrick to reteam with him...
Technically part of the extended Sundance family when Junebug landed there in 2005, scribe Angus MacLachlan moved from screenwriting to full fledged filmmaker in...
Our snobbish attitudes towards a certain Paul Greengress film principally has to do with us holding out for Cutter Hodierne's Fishing Without Nets. The...
Once programming announcements were complete for TIFF, my thinking was that all arrows pointed to Sundance programmers gobbling up Amy Berg's new direction in...
Two documentary heads are better than one. Katy Chevigny & Ross Kauffman already have a track record with the fest, Chevigny co-directed Deadline (Sundance...
There's been a whole bunch of recent buzz happening on Sydney Freeland's directorial debut, a dramatic number that wraps the coming-of-age, teenage rebellion, queer...
Compared with other first time filmmaker peers, Travis Gutiérrez Senger's feature debut appears to have benefited from an abundance of post prod time, when admittedly,...
Not unlike Joseph Gordon-Levitt's rapport with the festival, Sundance has become a place where James Franco/RabbitBandini Productions gets to both test-drive and showcase his...
Right after he wrapped up his '13 Sundance experience, Franco, the movie industry's poetry geek, hit the brinks and commenced lensing in Los Angeles...
It wouldn't be the first time a veteran helmer with a Hollywoodized filmography cracked the line-up and seeing that he directed mainstream titles such...
Country Bumpkin: Bond’s Debut a Grating Escapade of Disingenuous Cliché
Swedish born Fredrik Bond, who’d made a notable name for himself as a successful director...
Mars Attacks: Robinson’s Promising Debut an Arid Mirage
Early on in Ruairi Robinson’s directorial debut, The Last Days on Mars, a generic yet eerily promising...
La Dolce Vita: Sorrentino Visits Rome & Fellini in Opus-like Stroke
In Paolo Sorrentino's lavishly received Italian crime potboiler Il Divo, the stage is set...
Bleak House: Collyer Returns to the Slipping Down Life
After her fantastic 2006 directorial debut, Sherrybaby, director Laurie Collyer returns with a sophomore feature, Sunlight...
City of Neon Lights: Marie’s Debut a Soundtrack Assisted Cliché
How the title Paris Countdown was decided upon to stand as the English language translation...
German director Christian Petzold's long running collaborative relationship with his starring actress Nina Hoss has been fruitful to say the least. A '12 Berlin...
There's No Place Like Home; Macdonald Pulled By Too Many Strings
This polished as his docu-work, Kevin Macdonald's fourth fiction feature is a little bit...
For its 9th annual schedule of events, the 2013 Film Independent Forum, a nonprofit arts organization that produces the Film Independent Spirit Awards as...
Toying with narrative form seems to be director Miguel Gomes's forte. Our Beloved Month Of August turned the documentation of a musically inclined rural...
Where the Truth Weakly Lies; West Memphis Less Effective in Non-Docu Treatment
Atom Egoyan has carved a career out of films focused on misunderstood and...
If you live there, you know Maine is much more than just lobsters and lighthouses. Filmmaker, Lance Edmands, is going to introduce the rest of us to the local side of his home state in his feature film debut, Bluebird. Set in a small Maine town, it’s about a school bus driver who accidentally locks a young boy in a school bus on a cold winter night. The boy is taken to the hospital the next day. The story follows the aftermath of this tragedy and how it affects and changes the families involved.