Wasting Electricity: Tykwer Illuminates a Narrative Void
Despite revealing itself to be an interconnected rumination on aspects of the soul, Tom Tykwer’s Das Licht (The...
Marking his second decade as a film producer, I had the opportunity to sit down with Montreal-based Sylvain Corbeil at the 2024 Marrakech International...
After premiering his debut feature Oray at the Berlinale in 2019 with Oray (winner of the best first feature award), German-based filmmaker Mehmet Akif...
After making its debut at the Venice Film Festival and touring other prestigious autumn festivals like Toronto, San Sebastian, London BFI, and NYFF, it...
The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...
A touching, sober, political and poignant text on femicide, Mexican filmmaker Natalia León's debut Como si la tierra se las hubiera tragado plunges us...
Ripe Fruits: Kanawade Taps the Bittersweet Rind of Going Home Again
While there’s been an uptick in contemporary LGBTQ+ films from India over the past...
All DJs, Great and Small: Unkovski’s Debut Can’t Stop the Music
While its location might feel inherently unique, the happenings in Georgi M. Unkovski’s narrative...
One of the only two films selected for the Spotlight section (films that have premiered elsewhere on the festival circuit), Georgian filmmaker Dea Kulumbegashvili...
A Poison Tree: Khatami Deconstructs the Psychoses of Patriarchy
For his third feature, Iranian American director Alireza Khatami formulates a powerful psychodrama unspooling through the...
Nineteen features in competition, Artistic Director Tricia Tuttle loaded up on some mainstay auteurs with the likes of Richard Linklater, Michel Franco, Hong Sangsoo,...
Still Missing: Salles Returns with Survivors of the Dictatorship
“The dictatorship’s mistakes was to torture but not kill,” former Brazilian president Jair Bolsonaro proudly claimed...
Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable
To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s...
After her break-out female empowerment portraits in the Cannes Un Certain Regard selected Papicha (2019) and Houria (2022), Franco-Algerian filmmaker Mounia Meddour is moving...
A Different Man pairing of Renate Reinsve and Sebastian Stan will resurface once again for 2026 with Romanian master filmmaker Cristian Mungiu moving over...
Quentin Dupieux had enlisted alumni Adèle Exarchopoulos and then add-ons Sandrine Kiberlain and Karim Leklou for L'Accident de piano (formerly L'Avant-dernière séance). As per...
Selected for TIFF's Platform section (Toronto's only competition section), French-born filmmaker Nora El Hourch pulled from some of her own narrative for her high...
The Sway of the Sword: Reality Bytes in Poggi/Vinel's Bleak Online/Offline Portrait
Caroline Poggi and Jonathan Vinel's sophomore feature outing pulses with the heartbeat of...
In what was a highly anticipated Cannes competition rematch, Emilia Pérez stole the spotlight from Anora, sweeping four awards including Zoe Saldaña receiving the...
French filmmaker Vincent Le Port and Hungarian helmer Kornél Mundruczó are receiving some ARTE France Cinéma coin for future projets that are being readied...
Cocaine Hippo: de Los Santos Arias Explores an Assassination
To say Pepe, the second narrative feature from Dominican director Nelson Carlos de Los Santos Arias,...
Filmmaker Pete Ohs likely needs no introduction, nor do the notable cast members he assembled for his under-the-radar bilingual drama, shot in Poland. With...